![]() Maltese Village Festa, an annual community celebration Mahadra, a community system for transmission of traditional knowledge and oral expressions Knowledge, craft and skills of handmade glass productionĬzechia – Finland – France – Germany – Hungary – Spain ![]() Iftar/Eftari/Iftar/Iftor and its socio-cultural traditionsĪzerbaijan – Iran (Islamic Republic of) – Türkiye – Uzbekistan Hiragasy, a performing art of the Central Highlands of Madagascar United Arab Emirates – Oman – Saudi Arabia Harees dish: know-how, skills and practices Iraq – Algeria – Egypt – Mauritania – Morocco – Palestine – Saudi Arabia – Sudan – Tunisia – Yemenīolero: identity, emotion and poetry turned into songĬh'utillos, the Festival of San Bartolomé and San Ignacio de Loyola, the meeting of cultures in PotosíĬraftsmanship and performing art of balaban/meyĮlechek, Kyrgyz female headwear: traditional knowledge and rituals Representative List of the Intangible Cultural Heritage of HumanityĪl-Man’ouché, an emblematic culinary practice in LebanonĪrt of Akhal-Teke horse breeding and traditions of horses' decorationĪrt of illumination: Təzhib/Tazhib/Zarhalkori/Tezhip/NaqqoshlikĪzerbaijan – Iran (Islamic Republic of) – Tajikistan – Türkiye – UzbekistanĪrts, skills and practices associated with engraving on metals (gold, silver and copper) Traditional knowledge, methods and practices concerning olive cultivation List of Intangible Cultural Heritage in Need of Urgent SafeguardingĪncestral and traditional techniques for the elaboration of the 'Poncho Para'i de 60 Listas', from the city of Piribebuy, Republic of Paraguay The designations employed in the texts and documents of the nomination presented by the submitting State Party or States Parties do not imply the expression of any opinion whatsoever on the part of the Committee nor UNESCO concerning a) the legal status of any country, territory, city or area, b) the legal status of its authorities or c) the delimitation of its frontiers or boundaries.Ģ023 55 – 2022 48 – 2021 47 – 2020 35 – 2019 40 – 2018 39 – 2017 42 – 2016 41 – 2015 28 – 2014 38 – 2013 30 – 2012 32 – 2011 33 – 2010 47 – 2009 85 – 2008 90 2023 ![]() You may also experience a conceptual, visual and interactive navigation through ‘ Dive into Intangible Cultural Heritage’ interfaces which demonstrate the thematic interconnectedness between all the elements inscribed and their relation to nature or to threats. The Committee meets annually to evaluate nominations proposed by States Parties to the 2003 Convention and decide whether or not to inscribe those cultural practices and expressions of intangible heritage on the Convention’s Lists.īy clicking on the inscribed elements listed below, you can discover the nominations, photos and videos, together with Committee decisions and evidence of community consent. What becomes important is how the architect’s intentions embedded in the design may enable users positively, and engender different meaning in them other than those directly prescribed by the architect.Browse the Lists of Intangible Cultural Heritage and the Register of good safeguarding practices More importantly, the thesis questions the user’s occupation in buildings where no direct physical alterations are possible. Focusing on Koolhaas’s built work, my thesis questions the architect’s agency in relation to other agents who may initiate creative or unpredicted uses of space beyond the designer’s intention. In this respect, Rem Koolhaas cuts a peculiar figure as he can be seen simultaneously as the villain of ‘starchitects’ and a critical or post-critical architect. The aim is twofold: to give a comprehensive account of the discourses on agency today and to push it beyond the current scope of the debate in order to expand our understandings of agencies in architecture. Therefore, my thesis begins with a critical inquiry into the current discourse and considers interdisciplinary theories from architecture and sociology. Despite the booming debate over agency in architecture, the recent discourse tends to be associated with marginal types of architecture, and hardly goes beyond that line. Agency, as used in architecture, questions the role of architects in terms of criticality and responsibility.
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